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Drama, as defined by Courtney, encompasses all kinds of dramatic action, from children's play to social roles and theatre. He shows not only that teachers have found educational drama and spontaneous improvisation to be an invaluable learning tool but that many skills required for work and leisure reflect the theatrical ability to "read" others and see things from their point of view. The main thrust of Drama and Intelligence is that drama can enhance and develop various aspects of intelligence. Courtney suggests that the "costumed player" must bring into play many levels of intelligence in the rehearsal and execution of dramatic acts and that such acts offer unsurpassed opportunities to practice and develop these cognitive skills. He uses the term intelligence to refer to the potential for specific types of mental activity and employs a theoretic-analytic method to view cognition and intelligence in a post-structuralist and semiotic mode. Courtney examines such issues as the relation of the actual to the fictional; the dramatic creation of meaning; signs, symbols, and practical hypotheses; and experi-mental logic, intuition, and tacit modes of operation. Drama and Intelligence will interest not only scholars and students of developmental drama, but also those in the fields of dramatic and performance theory, educational drama, and drama therapy.
Theater --- Intellect. --- Drama in education. --- Creative dramatics (Education) --- Theater in education --- Education --- Human intelligence --- Intelligence --- Mind --- Ability --- Psychology --- Thought and thinking --- Psychological aspects. --- Philosophy. --- Didactic strategies --- Theatrical science
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Het Kind van de Smid werd geschreven in opdracht van het Kaaitheater en gecreëerd op 18 december 1990 in de Kaaitheater-studio (Brussel). Tekst en regie: Josse De Pauw en Peter van Kraaij
Dutch literature --- Josse De Pauw en Peter van Kraaij --- literatuur --- theater --- De Pauw Josse --- Van Kraaij Peter --- Tinel Koenraad --- 741.071 TINEL --- literatuur ; verhalend --- 731 --- Theater - Nederlands --- Theatrical science
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Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a revolution in the theory of representation, signs, and meanings that took place at the beginning of the seventeenth century and marked the appearance of a new dramatic style: the stile rappresentativo. Special attention is given to the techniques and applications of perspectival scenery, stagecraft, optics
Spanish drama --- Baroque literature --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Spanish literature --- History and criticism. --- Italian influences. --- History. --- Calderón de la Barca, Pedro, --- Criticism and interpretation. --- Calderón de la Barca, Pedro --- Criticism and interpretation --- Classical period, 1500-1700 --- History and criticism --- Italian influences --- Spain --- History
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A circus, a production of Shakespeare, an evening of song and ventriloquism, a performance by a 'learned pig' - all of these offered an evening's entertainment to the citizens of early nineteenth-century Upper Canada. Although the population in 1800 was only 90,000, a wide range of entertainers performed in towns across the province: touring companies, variety and animal acts, and theatrical troupes, professional and amateur, some home-grown and based in the garrisons, others from Montreal, New York, and London. By the end of the century, some 250 touring groups were on the road across Ontario, from Ottawa to Rat Portage (now Kenora). The lively theatre tradition of that century would extend into the next, beyond the appointment in 1913 of Ontario's first official censor, until the outbreak the following year of the First World War. This collection of essays covers a number of facets of the growth of theatre in Ontario. Ann Saddlemyer's introduction provides an overview of the period, and historian J.M.S. Careless focuses on the cultural environment. Novelist Robertson Davies writes on the dramatic repertoire of the period. Architect Robert Fairfield explores the structures that housed performances, from the small community halls to the grand opera houses. Theatre scholar and professional actor and director Geralrd Lenton-Young discusses variety performances. Leslie O'Dell, scholar, actor, and playwright, writes on garrison theatre, while Mary M. Brown, a teacher, actress, and director, covers travelling troupes. A chronology and bibliography, both by the theatre scholar Richard Plant, complete the work. A second volume, scheduled for future publication, will look at the development of theatre in Ontario in the twentieth century. (Ontario Historical Studies Series).
Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- Theatrical science --- anno 1800-1899 --- Ontario --- Ontario. --- Andalüe --- Andalüe Sheng --- Antarya --- Canada West --- Ontarėj --- Ontarijas --- Ontario-sh --- Ontariu --- Onṭaryo --- Onṭeryo --- Upper Canada --- Province of Ontario --- Ont. --- Oberkanada --- Provinz Kanada
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Actors --- Dramatists, Swedish --- Drama --- Music, Dance, Drama & Film --- Swedish dramatists --- Stage actors --- Theater actors --- Theatrical actors --- Artists --- Entertainers --- Theater --- Biography --- Strindberg, August, --- Bosse, Harriet, --- Bosse, Harriet Sofie, --- Strindberg, August --- Strindberg, Johan August --- Sṭrindberg, A. --- Sutorintoberuku --- Strindbergs, Augusts --- Sṭrindberg, O. --- Strindberg, Ogust --- סטאינדבערג, אויגוסט, --- סטרינבערג, אויגוסט --- סטרינבערג, אויגוסט, --- סטרינבערג, אױגוסט --- סטרינגבערג, אווגוסט, --- סטרינדבערג, אווגוסט, --- סטרינדבערג, אויגוסט --- סטרינדבערג, אויגוסט, --- סטרינדבערג, אוידוסט --- סטרינדבערג, אױגוסט, --- סטרינדבערג, א. --- סטרינדברג, אבגוסט, --- סטרינדברג, אוגוסט --- סטרינדברג, אוגוסט, --- סטרינדברג, א. --- סטרנדנערג, אויגוסט --- Стриндберг, Огуст, --- Marriage. --- Stage history. --- Marriage --- Stage history --- Actors - Sweden - Biography --- Dramatists, Swedish - 19th century - Biography --- Bosse, Harriet, - 1878-1961 --- Strindberg, August, - 1849-1912 - Marriage --- Strindberg, August, - 1849-1912 - Stage history --- Strindberg, August, - 1849-1912
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In dit boek maken we kennis met de belangrijkste figuren uit het Oude Testament: Abraham, Noach, David, Judit, ... Goosen geeft een woordje uitleg bij de tradities rond deze figuren. Alles is rijk geïllustreerd met oude en nieuwe afbeeldingen van deze figuren. Een heel interessant werk voor wie wil weten hoe de visie op het Oude Testament is geëvolueerd.
Christianity --- Doctrine of God (christianism) --- Art styles --- History of civilization --- Bible OT --- Comparative literature --- godsdienst --- bijbelfiguren --- literatuur --- theater --- iconografie --- muziek --- Iconography --- Thematology --- Bible --- In literature. --- #gsdbA --- 221 --- 7.046 <03> --- 221.08*3 --- #KVHA:Oude Testament --- #KVHA:Religie --- #KVHA:Kunst --- #KVHA:Literatuur --- #KVHA:Muziek --- #KVHA:Theater --- Oude Testament --- Bijbel: Oud Testament --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden--Naslagwerken. Referentiewerken --- Theologie van het Oude Testament: themata --- 696 --- Kunstgeschiedenis --- 221.08*3 Theologie van het Oude Testament: themata --- 7.046 <03> Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden--Naslagwerken. Referentiewerken --- Oud Testament --- 76.046.3 --- iconologie --- religieuze voorstellingen --- t --- 7.046 --- #GGSB: Religieuze kunst --- #GGSB: Symbolen --- Religieuze voorstellingen in de prentkunst --- Bible in literature. --- 76.046.3 Religieuze voorstellingen in de prentkunst --- kunst --- Bijbel --- Art --- Bible in literature --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Biography. --- Illustrations. --- Religieuze kunst --- Symbolen --- Bible - In literature.
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David Farley-Hills argues that Shakespeare did not work in splendid isolation, but responded as any other playwright to the commercial and artistic pressures of his time. In this book he offers an interpretation of seven of Shakespeare's plays in the light of pressures exerted by his major contemporary rivals. The plays discussed are Hamlet, Troilus and Cressida, All's Well That Ends Well, Othello, Measure for Measure, Timon of Athens, and King Lear.
English literature --- Drama --- Shakespeare, William --- Criticism and interpretation --- Contemporaries --- England --- History --- 17th century --- Shakespeare, William, 1564-1616 - Criticism and interpretation. --- Shakespeare, William, 1564-1616 - Contemporaries. --- Theater - England - History - 17th century. --- Theater --- Shakespeare, William, --- Criticism and interpretation. --- Contemporaries. --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞,
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